Nevertheless,thereisadifferenceinmebetweenthesituationsthatlandedwellandthosethatremainasanannoyanceorquestion.Thatdifferenceisnotprimarilyaboutconsent,butaboutareadinesstocontinuethedialogueafterwards,aspaceforsayingthatsomethingfeltstrange,andthenmovingontogetherfromthere._TovaGerge_Twoessaysaboutconsentincontemporarydance_p.50.

PERIPHERIES II

Vol. XV, no. 225—226 (Spring 2025)

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Trenutno ni dogodkov!

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Special editions, no. 21

The Resilience of History: The Yugoslav Wars through Art

Special editions, no. 21

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Book no. 50

Jasmina Založnik: Claiming of Space. New Performative Art Practices in Yugoslavia

TRANSformacije collection
Book no. 50

Mediakcije Collection
Book no. 25

Catherine Malabou: Pleasure Erased. The Clitoris Unthought

Mediakcije Collection
Book no. 25

TRANSformacije collection
Book no. 49

Katja Praznik: Art Work: Invisible Labour and the Legacy of Yugoslav Socialism

TRANSformacije collection
Book no. 49

Methodologies, Tactics, Strategies

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Maska: The Performing Arts Journal is Europe’s oldest professional journal in its field. This peer-reviewed journal explores theories of contemporary theatre and dance in connection with the broader field of contemporary arts, multimedia practices, social theory and philosophy. Maska is published in both Slovenian and English.

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PERIPHERIES II

Events

Publishing

The Resilience of History: The Yugoslav Wars through Art

Jasmina Založnik: Claiming of Space. New Performative Art Practices in Yugoslavia

Catherine Malabou: Pleasure Erased. The Clitoris Unthought

Katja Praznik: Art Work: Invisible Labour and the Legacy of Yugoslav Socialism

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PERIPHERIES I

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Methodologies, Tactics, Strategies

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