12,52 EUR

Collection TRANSformacije, book number 8
208 pages, 17 x 24 cm
©Maska, Ljubljana, 2002
ISBN 961-90309-8-2

The TRANSformacije Collection

Marina Gržinić – Mauhler (ed.), Stelarc

12,52 EUR

The book with a subtitle Political Prosthesis & Knowledge of the Body is the first thorough monograph on Stelarc’s work worldwide. Even though there are numerous catalogues, texts and visual and textual references available, not a single book has yet been published that would be integrally dedicated to Stelarc.

The present book gathers and lists all of the most important Stelarc’s projects, along with numerous aesthetic and historical opinions on them, it publishes Stelarc’s basic texts and keeps a record of his historical interventions with the body, new media, virtual environments and telematic arts.

As an introduction, the book features important Stelarc’s texts, followed by a detailed visual and textual representation of his key projects. The book brings essays on Stelarc’s work, written by Arthur and Marilouise Kroker, Timothy Murray and Marina Gržinić.

The book is a theoretical, philosophical and critical insight into the work of Stelarc, his crucial, historical and future perceiving visions of the body, new technologies. The book restores a foundation for the manifesto- testament of Stelarc’s productive, inventive and pioneering investment, or yet, approaches the art of the new media.

Collection TRANSformacije, book number 8
208 pages, 17 x 24 cm
©Maska, Ljubljana, 2002
ISBN 961-90309-8-2

Content

INTRODUCTION
Stelarc
PARASITIC VISIONS: ALTERNATING, INTIMATE AND INVOLUNTARY EXPERIENCES

Stelarc
INVOLUNTARY, ALIEN AND AUTOMATED: CHOREOGRAPHIES OF BODIES, ROBOTS AND PHANTOMS

Arthur and Marilouise Kroker
NOW WE ARE ALL STELARCS

Timothy Murray
THE CODE OF THE SKIN CASTED OFF: STELARC “AND” THE PHILOSOPHICAL PING

Marina Gržinić
STELARC – POLITICS OF THE BODY

VISUAL-TECHNOLOGICAL PRESENTATION OF STELARC’S PROJECTS

Knjiga v javnosti

Jaka Železnikar: Stelarc – politična proteza in vednost telesa
Mladina / 28. 5. 2002
Na začetku svojega delovanja izvaja suspenzije – svoje telo prebodeno s kavlji na različne načine in v različnih položajih ali ‘koreografijah’ obeša v različne prostore, tako naravne kot urbane. Sledi intenzivno ukvarjanje z tehnološko razširitvijo in nadgradnjo telesa kar vključuje vsiljeno oz. neprostovoljno gibanje, ki ga na njem izvaja bodisi občinstvo, fizično oddaljeno občinstvo (preko interneta) ali avatar, virtualna identiteta, ki je lahko zgolj program.

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