Affect, Emotion, Passion: The Personal and Beyond
When publishing the final issue of last year’s volume of Maska (vol. XXVIII), a double issue that focused on shifts in contemporary dance, we planned for the topic of dance to spill over into this spring issue as well. In the middle of February, however, all plans for a continued themed section on dance had to be postponed until summer as its writers, opening different archival folders while researching the dance history of Slovenia, became unexpectedly stuck among the long shelves and myriad boxes of documents kept by the Archives of the Republic of Slovenia under the auspices of the Ministry of Culture, and most especially among those of the private archives and legacies of Slovenian choreographers, dancers, dance pedagogues, collectors and historians
Journal Maska, year. XXIX, no. 161–162 (spring 2014)
Editor in Chief: Amelia Kraigher
ISSN 1318-0509
Contents
48TH MARIBOR THEATRE FESTIVAL 2013
Vlado G. Repnik / Simon Kardum / Igor Štromajer
ADDRESS AT THE PRESENTATION OF THE “EVERGREEN CROCODILE” AWARD
Jaka Andrej Vojevec / Simona Hamer / Blaž Bačar
THE JUSTIFICATION OF THE “BORŠNIK EARRING” AWARD
Thomas Irmer
GIVING IT ALL ARTISTICALLY
AFFECT, EMOTION, PASSION: THE PERSONAL AND BEYOND
Stefan Apostolou-Hölscher
BIOPOLITICS, DELEUZIANISM AND THE DESTINY OF AESTHETICS
Paula Caspão
STICKY TALES FOR AFFECT: Episodes of Situated Thought
Bara Kolenc
AUTHENTIC EMOTION AND BODY-SUBJECT: Are these Tears for Real?
Katarina Veselko
THE DUALITY OF AN ACTOR’S EMOTIONAL EXPERIENCE
Anja Bajda
AFFECT AND THE PERFORMING ARTS: Biopolitics, Transformation and Potentiality
Ixiar Rozas
THE DESIRE TO BE AFFECTED
Christian Koch
BEYOND PATHOS Interview with Annika Tudeer
Quim Pujol
AFFECT THEORY AS A TOOL: The Work of Jordi Galí
André Schallenberg
THE RESURRECTION OF THE SPECTACLE
Urška Brodar
WHO THE HELL IS MARIA?
Kalina Stefanova
PARADISE LOST
Jasmina Založnik
NOBODY IS INNOCENT
CRITICISM WITHOUT ADJECTIVES
Jasmina Založnik
FROM AFFECTIVE READING TO THE THEORY OF AFFECT