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Year XXVII, no. 145–146 (spring 2012)
Editor in chief: Amelia Kraigher
ISSN 1318-0509

Maska journal

Immaterial Extensions of the Material

10 EUR

Oh yes, it smells of the good old reading society times. The message addressed to the broader public by the zealous protesters is odd. Or, more precisely, it is paradoxical. The united artists, cultural workers and their followers, the signatories of the petition, fought for the preservation of the Ministry of Culture while knowing full well that this very ministry – not only as a public service, but also strategically and operatively – had failed on all fronts under the last two governments.

As we know, the united trade union/guild interest group with the fossil name KOKS has failed. The new government did not give a hoot about its demand to preserve the independent Ministry of Culture, which has now become part of a super ministry that will deal with education, science, sport, culture, youth and the media. The government adhered to the coalition agreement, which is understandable. It would have been very strange, indeed, if they had capitulated on this point – a symbolic point of disagreement.

Year XXVII, no. 145–146 (spring 2012)
Editor in chief: Amelia Kraigher
ISSN 1318-0509

Contents

Simon Kardum
RELAXED, AGAIN!

Maska’s Hexagram
Jedrt Jež Furlan
“THE MORE
DEMOCRATIC A SOCIETY, THE MORE OPPORTUNITIES THERE ARE FOR ARTISTS!”

The Body, the Gaze, the Touch
Maja Murnik
FRAGMENTING THE INTEGRITY OF THE BODY THROUGH PERFORMATIVE ART PRACTICES

Alenka Spacal
VALIE EXPORT’S EMANCIPATION POTENTIAL IN HER PERFORMANCE IN WHICH SHE ALLOWS HER BREASTS TO BE TOUCHED

 Immaterial Extensions of the Material
Mladen Dolar
THE VOICE OF VALIE EXPORT

Ixiar Rozas
TWO FACES OF THE SAME FRACTURE

Martina Ruhsam
VOICES, FOG, DUST AND DOTS TRAVERSING A POST-HUMAN FUTURE

Katja Čič
PERFORMATIVE MANIFESTO: CONTRAPUNTAL MEANING-MAKING

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  • For Whom?
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