Jernej Lorenci’s Theatre
The present issue of Maska focuses on complex connections among performative practices,
documenting and archiving, and the questions arising from these connections. The contributors are researchers in the field of documenting and archiving performative practices, as well
as artists who approach this issue from different angles: the archive and document as performance material; the manipulation of documentary material as part of the creative process;
the reconstruction of performances; documentary theatre; problems with documenting and
archiving live art; documents as witnesses to past artistic events that then, over time, assume
the place of the original…
Revija Maska, Letn. XXX, št. 175–176 (zima 2015–pomlad 2016)
Odgovorna urednica: Amelia Kraigher
ISSN 1318-0509
Contents
ART AND LIFE III
Nik Wakefield
TIME-SPECIFITY OF THE FUTURE OF PERFORMANCE
Urška Brodar
NEW FORMS OF CENSORSHIP LURKING IN UNEXPECTED CORNERS OF SOCIETY:
INTERVIEW WITH DRIES VERHOEVEN
JERNEJ LORENCI’S THEATRE
Blaž Lukan
IN SEARCH OF LOST WHOLENESS
Eva Kraševec
APPROACHING THE REAL
CITY OF WOMEN FESTIVAL 2014
Tea Hvala
AS LITTLE AS POSSIBLE FOR AS LITTLE AS POSSIBLE
Pisma bralcev / Letter to the Editor
DEAR SIMONA SEMENIČ
GIBANICA FESTIVAL 2015
Pia Brezavšček
FESTIVAL OF DIFFERENCES
Heike Bröckerhoff, Marialena Marouda
A JOINT CRITICAL DIARY
CRITICISM WITHOUT ADJECTIVES
Thomas Irmer
APOCALYPSE BAAL
Thomas Irmer
CASUALLY DEMYSTIFYING A SINISTER BOOK
Kalina Stefanova
TO BE AND NOT TO BE… AT ONCE
Tea Hvala
TO MAKE THE WHOLE WORLD HOME-LIKE
Nenad Jelesijević
THE CONCRETENESS OF THE TRUTH OF ARTIVISM
Nika Arhar
STAGE VISIONS AND STRATEGIES OF CONTEMPORARY PERFORMING PRACTICES