YUFU 2.0
The oldest European journal for performing arts, Maska, came up with a special edition on Yugofuturism, YUFU 2.0. This is Maska’s further attempt in the direction of searching for a future after its proclaimed end. It is only logical to first dig in the region – but how to do it without disturbing the dead? How to find a common ground to again open a Yugoslav futuristic horizon in the arts and beyond it? In the journal, we give voice above all to the transitional generation, which knows the former country more as a narrative and less as an experience, but desperately needs a source of perspective in times where its level is ecologically and economically, especially in the region, close to zero. However, this does not mean that we are not critical of the idea of Yugofuturism. It may as well be a cynical ideal, a trap or in the best case, a utopia. But what have we to lose? The magazine brings together 14 theoretical, artistic or hybrid contributions by authors from the region, who put their stone in the YUFU mosaic in the making.
Vol. XXXVII., issue 209-210 (spring 2022)
Editors-in-chief: Pia Brezavšček in Rok Bozovičar
Published by: Maska in collaboration with the BITEF festival
Design and Layout: Niko Lapkovski
Financerji
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or [name of the granting authority]. Neither the European Union nor the granting authority can be held responsible for them.
The publication is a part of the project Peripheral Visions, whose partners are Kulturtreger, Maska Ljubljana, EIPCP, Kuda.org, Kontrapunkt Skopje, Multimedia Institute.