YUFU 2.0

The oldest European journal for performing arts, Maska, came up with a special edition on Yugofuturism, YUFU 2.0. This is Maska’s further attempt in the direction of searching for a future after its proclaimed end. It is only logical to first dig in the region – but how to do it without disturbing the dead? How to find a common ground to again open a Yugoslav futuristic horizon in the arts and beyond it? In the journal, we give voice above all to the transitional generation, which knows the former country more as a narrative and less as an experience, but desperately needs a source of perspective in times where its level is ecologically and economically, especially in the region, close to zero. However, this does not mean that we are not critical of the idea of Yugofuturism. It may as well be a cynical ideal, a trap or in the best case, a utopia. But what have we to lose? The magazine brings together 14 theoretical, artistic or hybrid contributions by authors from the region, who put their stone in the YUFU mosaic in the making.
Vol. XXXVII., issue 209-210 (spring 2022)
Editors-in-chief: Pia Brezavšček in Rok Bozovičar
Published by: Maska in collaboration with the BITEF festival
Design and Layout: Niko Lapkovski
Table of Contents
Asja Bakić
YUGOFUTRISM AS A TRAP
Muanis Sinanović
TEN IMAGES OF YUGOFUTURISM
Simon Smole
ERASED FROM THE FUTURE WITH UNBEARABLE EASE
Maja Mrđenović
YUGOFUTURISTIC PERFORMING OF HISTORY: DEMYTHOLOGIZING KINGDOM OF HEAVEN (NEBESKO CARSTVO)
Dino Kreho
FUTURIUM.ORG.YU
Vera Mevorah
YUGOFUTURISM AND SUBVERSIVE MIMICRY: EX-POST-YUGOSLAV DIGITAL (MEME) CULTURE
Nataljia Majsova
SOME THOUGHTS ON ARTISTIC RE-IMAGININGS OF YUGOFUTURISM’S UTOPOLOGICAL ELEMENTS
Goran Ferčec
A PLACE THAT WILL BE THE LAST TO COLLAPSE, BUT THAT WILL INEVITABLY COLLAPSE
Kalia Dimitrova
YUGOFEMINISM: LEGACY AND IMAGINATION
Jasmina Šepetavc
REMEMBER WHEN WE WERE QUEER: YUGOSLAV QUEER FUTURISM
Ana Fazekaš
ECSTATIC LOSERS/ DEPRESSED UTOPIAS: CYBORGIAN DANCE SCORES
Jasmina Založnik
FUGITIVE DANCE
Maja Pelevič
CATWALK FACTORY
READING CLUB:
THERE’S NO END WITH NO MEANS
Zala Dobovšek
JASNA NOVAKOV SIBINOVIĆ: POLITIČKO POZORIŠTE OLIVERA FRLJIĆA: OD EMPATIJE DO SIMPATIJE
Financerji

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or [name of the granting authority]. Neither the European Union nor the granting authority can be held responsible for them.

The publication is a part of the project Peripheral Visions, whose partners are Kulturtreger, Maska Ljubljana, EIPCP, Kuda.org, Kontrapunkt Skopje, Multimedia Institute.
