Politics of Presenting
This issue of Maska in its central section entitled Politics of Presenting sheds light on various aspects of representation—from the politics of aesthetics in Jacques Rancière’s essay of this title and the festivals of contemporary performing arts (Blaž Lukan discusses Slovenian festivals and Bojana Cvejić examines those dedicated to dance) to specific dance and theatre pieces and performances.
The latter, created by a younger generation of artists including Mojca Puncer, Ana Vujanović, Jure Novak and Katja Praznik, throw into relief the aesthetic as well as the broader social aspects of the politics of representation in individual authorial poetics. The section Patriotic and Other Acts brings a lengthy discussion, in which Marko Peljhan, Claire Pentecost, Brian Holms and Igor Zabel talk to Nataša Petrešin about the potential of cultural resistance. The third section entitled Dramatic Through Postdramatic features the analyses of Jablanovec’s performance Via Negativa: More (Via Negative: Še) and the Slovenian stagings of Cankar’s St. Florians.
Maska, Year XIX, no. 88–89 (winter 2004)
Contents
POLITICS OF PRESENTING
JACQUES RANCIÈRE
POLITICS OF AESTHETICS
ANA VUJANOVIĆ
UNBEARABLE LIGHTNESS OF BIOKRAPHIA
JURE NOVAK
“WE ARE NOT INNOCENT, WE ARE NOT CLEAN” (an interview with Lina Saneh)
DOROTHEA VON HANTELMANN
I PROMISE IT’S PERFORMATIVE
BLAŽ LUKAN
AN INTRODUCTION TO UNDERSTANDING FESTIVALS
BOJANA CVEJIĆ
AMPERDANS: SYMPTOMS, STRANDS AND POTENTIALITIES OF SMALL-SCALE WORK
KATJA PRAZNIK
THE CLONING OF INTERNATIONAL MONSTERS, OR ON THE PATRONISING GESURE OF CONTEMPORARY DANCE
MOJCA PUNCER
THE AESTHETIC STRATEGIES OF REVEALED BODIES
PATRIOT AND OTHER ACTS
NATAŠA PETREŠIN
PARANOIA AND THE END OF ARTISTIC FREEDOM
NATAŠA PETREŠIN
POTENTIALITY OF CULTURAL RESISTANCE
DRAMATIC THROUGH POSTDRAMATIC
BARBARA OREL
ON ST.FLORIANS, INDECENCY, AND CAREFULLY RAISED FLOWERS
MOJCA PUNCER
PERFORMING GLUTTONY: VIA NEGATIVA: ŠE (MORE)