The Art Of Writting
The journal you have before you arose from the need to affirm the field of writing for and about art as a field that, through a principally predominating logic of language, aims to materialize the textures of contemporary art and the questions this places before the viewer.
As a form through which intercommunication in a community is established, writing is an important material practice of every social situation and writing for art is not committed only to reflecting certain art practices but also represents the possibility of raising questions and developing a dialogical interaction that arises when one form transforms into another.
Writting for and about art is therefore not only a document, but also a realization of mental concepts, a written materialization of thoughts and views that actively cooperate in the shaping of the landscape and meaning of contemporary art.
Maska, Year XXII, no. 109–110 (autumn 2007)
Editor in Chief: Katja Praznik
Contents
PERSPECTIVES
Andreja Kopač
DaS Ex-periMenT: Bending with NagiB
PHENOMENON
Bojana Kunst
“Demand the impossible”: Writing for Art
Ana Vujanović
Undressing Theory
Primož Jesenko
Forming the Politics of the Gaze (On the mode of organisation of thought)
Andreja Kopač
A Tentative Linguistic Analysis of the Script of Show your face!
Karla Železnik
The Theatre Programme – A Lackey of Stage and Offstage Activity
Alja Bulič
A Rigid Wording of the Art of Movement?
Katja Praznik in Karla Železnik
Writing About and For Art (An Inquiry with Artists and a Critic)
Maks Soršak
The View of the Consumer
Saša Šavel
Television and the Discourse of Art
STATE OF AFFAIRS
Alenka Pirman
Customs and Traditions IV.
Marko Peljhan
“I’ve got a fever and the only prescription is more cowbell!”
MANIFESTO SKETCH BOOK
Ema Kugler
LONTANO ………. or ……… What Would Robert Wilson Do If ……….?
SCENERAMA
Petja Grafenauer Krnc
Under the Sign of Collaboration and the Return of the Artwork