Year XXXI, no. 177–178 (summer 2016)
Editor in Chief: Amelia Kraigher
ISSN 1318-0509
The Post – Futurist Manifesto
Stop the world, I want to get off! If my memory serves me right, once upon a time, in the 1980s, this was the title of a popular aphoristic satiric rubric in the Slovenian newspaper Dnevnik.
However, now 30 years later, in times when we are witnessing the gradual, protracted and unrelenting neoliberal privatisation of the public good, such exclamations are no longer satire. Art research such as that we are trying to cultivate at Maska Institute has long been hijacked by capital, whose brutal dimensions we are not aware of.
Today more than ever before, intellectuals and artists are being subordinated to the machinery of capitalist production. It has dispersed and atomised everything social, while we have been pushed into precarious working conditions, exhausted and turned into a modern cognitariat. How are we to escape the prevailing modality of the world? What are we to do in order to make the masks concealing the ideas about the possibility of different modes of production and thinking fall off?
Year XXXI, no. 177–178 (summer 2016)
Editor in Chief: Amelia Kraigher
ISSN 1318-0509
Contents
COLUMN
Ana Schnabl
DANCE CRITICISM: THE CRITICISM OF CRISIS
INTERVIEW
Gal Kirn
THE AGE OF FORENSICS: MEMORY, EMANCIPATORY POLITICS OR VISUAL STRATEGY?
Interview with Eyal Weizman and Anselm Franke
THE POST-FUTURIST MANIFESTO
Franco Berardi – Bifo
THE POST-FUTURIST MANIFESTO
Nika Arhar, Pia Brezavšček, Katja Čičigoj, Saška Rakef, Jasmina Založnik
MANIFESTO OF POST-FUTURISM – LITERALLY
Nika Arhar, Pia Brezavšček, Katja Čičigoj, Saška Rakef, Jasmina Založnik
BECOME THE IDEAL CULTURAL WORKER IN 86 STEPS – A HANDBOOK
DRAGAN ŽIVADINOV’S PROCESSUAL THEATRE
Bojan Anđelković
FROM RETROGARDISM TO POSTGRAVITATIONAL ART AND BACK
…ON VOICE…
Ixiar Rozas
YES, I TOLD HER IN THE MIDDLE OF…
DILEMMAS OF THEATRE TERMINOLOGY
Stefan Aquilina
ACTS OF RECOGNITION: THE POLITICAL DIMENSION OF TERMINOLOGY
PRAGUE QUADRENNIAL 2015
Irena Šentevska
MEDIATING PERFORMANCE (AND) CURATORSHIP
21st PULA INTERNATIONAL THEATRE FESTIVAL PUF 2015
Radmila Đurica
IMAGINATIVE ANARCHY
CRITICISM WITHOUT ADJECTIVES
Thomas Irmer
HAVE YOU YET FOUND HOME?
Nenad Jelesijević
REHERSAL WITH THE ELITE FROM THE FRONT ROW
Irena Tomažin
THE ATTENTIVE CREATOR OF CONTEMPORARY RITUALS
