And Finally the Snow Falls Again

The basis of the performance is an exploration of the format of the directorial dialogue: in the creation, the director and the directed meet and through a series of events, a series of encounters, shape an unpredictable event that evades the established practices of staging and understanding directing. The authors take as the object of their research the phenomenon of directorial authorship, which often seems intangible and expresses itself through the selection and editing of elements rather than through a direct work of art – a directorial work, a performance, is an event that happens in people and among people, and is therefore temporary, unfixable, imprinted in memory. What happens when directing is no longer an in-between space, but tries to speak directly, without a double, without actors? How to emancipate the directorial authorship through the format of the meeting of two poetics, two views? As if two performances were intertwined, two events coincided, two realities collided. In this collision, stories of migrations and relationships unfold, and autobiographical narratives form a thread of reflection on living and creating in an increasingly gentrified city, where any permanence is unreliable. Snow is increasingly avoiding this city. It has barely fallen before it is gone.

The performance will take place in different locations and will shift genres between sound walk, installation and performative interventions.