The Visages of Sand

n The Visages of Sand, the world is layered into several parallel levels, with the action freely jumping and intertwining between them. The directions opened can also be but projections of the subconscious – because performance itself is a riddle rather than a documentary or panorama of an external reality. The narrator slows down the time or accelerates it: she is weaving a net into which the listener is to be captured. She tells of a dreamer who, at the conclusion of his life, finds that he has all along been part of someone else’s dream. The performance does not aim for a linearity of narration and psychological justification – the structure of the relationships between the characters is not based on conflict, but on meetings and co-existence. The number of stories and metaphors within which man takes place and with which his imagination operates, is finite. It is about an original and its variants in everchanging contexts.