Živa Božičnik Rebec’s project is situated on the reference field of researching what an ontological object has/can have, ontogenesis, and the relationship of objects to their environment/exterior. It is composed of three objects installed in the environment of a container. The starting point of the first object is one of the most wide-spread infrastructure design products, whose standardisation and omnipresence makes it almost invisible. The second object is based on the emblem of a trademark, whose virality and hype make it into a cultural object. The third object is a web-based virtual object, an “instafilter”, a means of augmenting reality, which is further augmented through attributing an “out-of-screen” body. Through various transformations – melting and freezing – designer products, Božičnik Rebec produces a hybrid environment that obscures their ontological status and time origins – up to the point that it becomes unclear if we are witnessing a pre-cultural era influenced by a random material growth of prototypes of tools and symbols or if this is a post-apocalyptical contaminated environment in which objects dissolve and are colonised by organic matter.