Volume XXXIV no. 198–199 / winter 2019
Editors: Pia Brezavšček, Alja Lobnik
ISSN 1318-0509
Writing on the Scene, Writing for the Scene
The current issue of Maska Journal brings forth a thematic focus on playwriting; not in the sense of a review of the whole cur- rent local and regional production but instead with an emphasis on its most vital, experimental, event-driven, carnal, borderline (yet no longer marginal) segment. Therefore, it is not surprising that a large part of articles in this issue is dedicated to the work of theatre creator Simona Semenič who is considered as one of the innovators in that sense.
This focus of the issue is also responding to the still resounding echo of her receiving the Prešeren Fund Award in 2018; on this occasion Teja Reba and Janez Janša curated a festival Abonma Simona Semenič (Seasonal Ticket for Simona Semenič).
Volume XXXIV no. 198–199 / winter 2019
Editors: Pia Brezavšček, Alja Lobnik
ISSN 1318-0509
Contents
Milan Marković Matthis
DEAR SIMONA
Alja Lobnik
»THERE IS SOMETHING BEAUTIFUL IN THIS« (Milan Marković Matthis): On autobiography, body and pain, sexual pleasure, biopolitics, the eventfulness of script and more
Katja Čičigoj
do me twice. AN EXAMPLE OF THE FUNCTIONING OF A TEXT-EVENT
Jaka Smerkolj Simoneti
PREGLEJ OVERVIEW
Simon Smole
DANGEROUS PROMISES
Eva Smrekar
MAJA SMREKAR: K-9_TOPOLOGY
CRUMBS FROM THE SCENE
Tadej Troha
THE LINES OF NO RETURN
Robert Pfaller
DRAWING A LINE OF DEMARCATION
Renata Salecl
DENIAL ALONG THE LINES OF TRUTH
Pia Brezavšček
THE LINE OF SENSE An outline of the On(the)line
INDEPENDENT
Nika Arhar
CIRCUS CHOREOGRAPHIES OF BODIES AND THINGS
Jernej Kaluža
THE PLEASURE OF WORK AND THE WORK OF PLEASURE
Interview with Giulia Palladini
Pia Brezavšček in Alja Lobnik
IMPULSTANZ 2109 A few thoughts
