Journal Maska, Year XV, no. 60–61 (spring 2000)
Erotism
The issue with the title Erotism brings translations of fragments of fundamental works of contemporary French theory, of the authors Georges Bataille, Gilles Deleuze, Jean Baudrillard and Roland Barthes. In addition, two texts by the controversial author Camille Paglia are also translated, along with the discussion by Katrien Jacobs on female masochists and cruel mothers. Among the authorial contributions of home authors, we’d like to draw your attention to the composition Castration Machines by Boris Pintar, texts by Sonja Dular and Uroš Korenčan, on current performances.
Stojan Pelko writes about the last Kubrick’s movie, Ivan Čolović about the erotic fantasies of Serbian soldiers, Jure Gantar on eroticism and the problems of its staging. The introduction to the issue is represented by three up-to-date contributions: the talk with Marina Abramović, also on the front page of Maska with the painters from the Irwin group, a discussion by the new director oif the Berlin theatre Schaubuehne am Lehniner Platz, Thomas Ostermeier, and an essay by Marina Gržinić on the Biomechanics of Noordnung, a show by Dragan Živadinov in combined gravitations.
What is special abput the new issue of Maska is also a detailed representation of Drama SNG Ljubljana. With this issue, the editorial board is starting the representations of Slovenian theatres, prepared in collaboration with their artistic management. The issue has 104 pages, is richly illustrated and visually renewed.
Journal Maska, Year XV, no. 60–61 (spring 2000)
Contents
Emil Hrvatin
BYE, BYE EXTREMES. Interview with Marina Abramović.
Thomas Ostermeier
THEATRE IN THE AGE OF ITS ACCELERATION
Arnd Wesemann
THE NARRATED DOESN’T CRAWL UNDER YOUR SKIN – IT’S UNDER YOUR SKIN: THE BODY
Marina Gržinić
BIOMECHANICS NOORDUNG
Georges Bataille
EROTISM
Jean Baudrillard
THE ECLIPTIC OF SEX
Roland Barthes
STRIPTIZ
Camille Paglia
WOMAN AS GODDESS
Gilles Deleuze
SADE, MASOCH AND THEIR LANGUAGE
Katrien Jacobs
MASOCHISTS & CRUEL MOTHERS
Tatjana Greif
QUEER WOMEN CULTURAL WORKERS
Ivan Čolović
BROTHEL OF WARRIORS
Boris Pintar
CASTRATION MACHINES
Jure Gantar
ARISTOFAN, EROTICISM AND LAUGHTER
Stojan Pelko
EYES WIDE SHUT
Uroš Korenčan
STRAWBERRIES FROM THE CEMETERY
Sonja Dular
LIBIDO AND DESTRUDO
Jaroslav Jankovič
METAMORPHOSES OF GORAN BERTOK
Martina Šiler
EROTIC DIALOGUES OF BODY AND WORD
PERFORMANCES
Petra Pogorevc
MILER’S FALLEN ANGELS (Baal, Hinkemann and Roberto Zucco directed by Eduardo Miler)
Martina Šiler
ORGANISM OF THE GAME (Utva directed by Tomi Janežić)
Jaša Drnovšek
RITUAL AS A UNIVERSAL ART FORM. Interview with Raimund Hoghe.
KSENIJA HRIBAR (1938-1999)
Sinja Ožbolt
LOOKING THROUGH THE DANCER AND SEEING THE DANCE
THE INTERNATIONALISATION OF SLOVENIAN THEATRE-MAKERS (2.): CHOREOGRAPHERS
Alenka Vesenjak
SLOVENIAN DANCERS ARE NOMADS. Interview with Matjaž Farič.
Jaša Drnovšek
PARTNERS ARE THOSE WHO LOVE OUR WORK. Interview with Iztok Kovač.
BOOKS, CD-ROMS
Jana Pavlič
ABDOH, KATHAKALI, CORPUS DELECTI
Tea Štoka
FERDO DELAK, AVANT-GARDIST
Emil Hrvatin
ARTINTACT 5, SMALL FISH, CROSS CURRENTS
DRAMA SNG LJUBLJANA
Emil Hrvatin, Blaž Lukan
DRAMA SHOULD BE ONE OF THE BEST EUROPEAN THEATRES. Interview with Janez Pipan, Darja Dominikuš and Mojca Kranjc.
Barbara Orel
INTERVIEWS WITH ACTORS (Gregor Bakovič, Maja Sever, Jernej Šugman, Branko Šturbej, Silva Čušin, Aleš Valič, Milena Zupančič)
