Janez Janša (ed): Theories of contemporary dance
Maska’s Transformacije collection has finally been enriched with a long expected collection of articles Theories of Contemporary Dance. It represents the first book in Slovenian language that deals with the phenomenon of contemporary dance, an art that has marked the 20th century and has in the last two decades also asserted itself remarkably in Slovenia.
The book features 17 articles by worldly acclaimed authors that are theoretically or practically engaged in contemporary dance. Thus you can read the celebrated text by Paul Valery “Philosophy of Dance”, a definition of contemporary dance in a classical study by American critic John Martin, discussions by Bojana Kunst and Randy Martin on the bodies of dance, and by Alain Badiou and Jelica Šumić Riha on dance as a mentality.
Among the authors, there are also the main protagonists of American post-modern dance Yvonne Rainer and Trisha Brown. Through monographic articles, the works of some of the key choreographers of the second half of the 20th century are thoroughly presented: Merce Cunninham, Pina Bausch and William Forsyth. The book also discusses some important directions in the contemporary dance that have developed in certain environments, such as the American contact improvisation and its attitude towards rock’n’roll and disco, the Japanese butoh and Belgian hyper-dance and its relation to video and new technologies.
Collection TRANSformacije, book number 6
Collection editor: Janez Janša
246 pages, 170 X 240 mm
©Maska, Ljubljana, 2001
ISBN 961-90309-6-6
This book was published in Slovenian.
Content
Emil Hrvatin
INTRODUCTION
THE THOUGHT OF DANCE
Paul Valéry
PHILOSOPHY OF DANCE
Alain Badiou
DANCE AS A METAPHOR FORTHOUGH
Jelica Šumić – Riha
THE DANCING BODY BETWEEN THOUGHT AND PLEASURE
BODY OF DANCE
Bojana Kunst
AUTONOMOUS BODY
Randy Martin
DOES THE DANCING BODY HAVE A SEX?
MODERN/POSTMODERNOF DANCE
John Martin
THE CHARACTERISTICS OF MODERN DANCE
Roger Copland
MERCE CUNNINGHAM AND THE POLITICS OF PERCEPTION
Sally Banes
POSTMODERN DANCE
EMANCIPATION OF DANCE
Norbert Servos
PINA BAUSCH: DANCE AND EMANCIPATION
Yvonne Rainer
QUASI-SURVEY OF SOME ‘MINIMALIST’ TENDENCIES IN QUANTITAVELY MINIMAL DANCE
ACTIVITY AMIDST THE PLETHORS, OR THE ANALYSIS OF TRIO A
Trisha Brown
AUTOBIOGRAPHICAL SKETCH
THE SOCIAL OF THE DANCE
Cynthia J. Novack
ON MOVEMENT AS CULTURE – CONTACT IMPROVISATION AND DISCO DANCE
SPACE OF DANCE
Heidi Gilpin
DEFLECTIONS OF GRAVIRY
Gerald Siegmund
IMAGE AND MOVEMENT – MANNIERISM AS THE LIMIT OF CONTEMPORARY DANCE
NOTATION/ MEMORY OF DANCE
André Lepecki
PRESENCE OVERBURDENED WITH MADNESS
Johannes Birringer
MEMORIES OF THE REAL
Patrice Pavis
ABOUT BUTOH AS GRAND GUIGNOL, WHICH ENDED BADLY
ABOUT THE AUTHORS
BIBLIOGRAPHY